Skip to main content

The End of Memory

The volume of digital data generated by modern society is continually increasing. But how can this be stored on less permanent formats like CDs, DVDs, and hard disks? What sort of memory are we going to pass on to future generations?

 Every day, some 2.5 trillion bytes of data are exchanged. It is estimated that 90% of the data existing in the world today was generated in the course of the last two years. This deluge is known as “big data”.

 How can we classify, store, and give meaning to this mass of digital information? To make up for the short lifespan - 10 years maximum - of current storage formats will researchers succeed in developing new platforms capable of ensuring the preservation of this data for future generations? Are our digital societies still capable of producing a lasting memory?

 This film sets out to answer these questions through a rigorous, fascinating scientific investigation. Accompanied by very creative visuals, this investigation allows us to understand and anticipate the challenges of tomorrow’s memory storage.

Comments

Post a Comment

Popular posts from this blog

The Theatre Of Cruelty & Of The Absurd

The Theatre of Cruelty (French: Théâtre de la Cruauté, also French: Théâtre cruel) is a form of theatre generally associated with Antonin Artaud . Artaud, who was briefly a member of the surrealist movement, outlined his theories in The Theatre and its Double. The Theatre of Cruelty can be seen as a break from traditional Western theatre and a means by which artists assault the senses of the audience. Encyclopædia Britannica describes the Theatre of Cruelty as "a primitive ceremonial experience intended to liberate the human subconscious and reveal man to himself". It goes on to say that Manifeste du théâtre de la cruauté ( 1932; Manifesto of the Theatre of Cruelty ) and Le Théâtre et son double (1938; The Theatre and Its Double) both called for "communion between actor and audience in a magic exorcism; gestures, sounds, unusual scenery, and lighting combine to form a language, superior to words, that can be used to subvert thought and logic and to shock the specta
Post a Comment
Read more

FM Synthesis

FM synthesis is short for frequency modulation synthesis . Simply put, FM synthesis uses one signal called, the “modulator” to modulate the pitch of another signal, the “carrier”, that’s in the same or a similar audio range. This creates brand new frequency information in the resulting sound, changing the timbre without the use of filters. FM synthesis can create both harmonic and inharmonic sounds. To synthesize harmonic sounds, the modulating signal must have a harmonic relationship to the original carrier signal. As the amount of frequency modulation increases, the sound grows progressively complex. It was discovered in the 1967 experiments of John Chowning at Stanford University. At first, Chowning was using complex waveforms to modulate the pitch of simple sine waves. This resulted in supersonic signals at frequencies over a million Hertz. [FISEA 1988] Workshop: John Chowning, Zack Settel & Ernst Bonis – FM-Synthesis/Psycho-acoustics. Yamaha
Post a Comment
Read more

DAF - Gabi Delgado-López

Gabi Delgado-López , vocalist and co-founder of DAF (Deutsch Amerikanische Freundschaft) has died at age 61. His bandmate Robert Görl shared the news on Instagram late last night, writing “Got word today my long time friend and bandmate Gabi Delgado passed away last night.” Fomed in 1978, DAF were a pivotal act in EBM and electronic music. Their 1980 album Die Kleinen Und Die Bösen was the first LP released on Mute Records and Delgado-López was an active figure in Berlin’s early nightlife scene. Formed in Düsseldorf featuring Gabriel "Gabi" Delgado-López (vocals), Robert Görl (drums, percussion, electronic instruments), Kurt "Pyrolator" Dahlke (electronic instruments), Michael Kemner (bass-guitar) and Wolfgang Spelmans (guitar). Kurt Dahlke was replaced by Chrislo Haas (electronic instruments, bass guitar, saxophone) in 1979. Since 1981, the band has consisted of Delgado-López and Görl. Görl came to Düsseldorf in August 1978 and met Delgado as bot
Post a Comment
Read more