The Story of Queen: Mercury Rising

This is the story of one of the worlds greatest rock bands of all time, known for their constant record breaking, sell out tours, chart-topping records and eternal worldwide success. 20 years after the death of frontman Freddie Mercury, the band still remain immensley popular. Queen's album sales have topped 300 million sales worldwide and their Westend stage show is shown in almost 20 cities accross the globe. Formed in 1971, Queen embarked on their journey to fame in the UK with their first two albums Queen (1973) and Queen II (1974). But it wasn't until the release of Sheer Heart Attack (1974) and A Night at the Opera (featuring Bohemian Rhapsody) in 1975, that they went to achieve global success. By the late 1970's Queen had gone on to release 'We Will Rock You' and 'We Are the Champions', two of the greatest Rock anthems to be released which cemented their status as one of the worlds greatest rock bands. This is the story of one of the most iconic rock bands in the world, from the very beginning through to the sad demise of Freddie Mercury in 1991. Through classic archive footage and some of their greatest hits and interviews with Brian May and the likes of Paul Gambaccini, their incredible and unique story is told. This is the story of Queen.

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The Theatre Of Cruelty & Of The Absurd

The Theatre of Cruelty (French: Théâtre de la Cruauté, also French: Théâtre cruel) is a form of theatre generally associated with Antonin Artaud . Artaud, who was briefly a member of the surrealist movement, outlined his theories in The Theatre and its Double. The Theatre of Cruelty can be seen as a break from traditional Western theatre and a means by which artists assault the senses of the audience. Encyclopædia Britannica describes the Theatre of Cruelty as "a primitive ceremonial experience intended to liberate the human subconscious and reveal man to himself". It goes on to say that Manifeste du théâtre de la cruauté ( 1932; Manifesto of the Theatre of Cruelty ) and Le Théâtre et son double (1938; The Theatre and Its Double) both called for "communion between actor and audience in a magic exorcism; gestures, sounds, unusual scenery, and lighting combine to form a language, superior to words, that can be used to subvert thought and logic and to shock the specta...

Generative Music

Generative music is a term popularized by Brian Eno to describe music that is ever-different and changing, and that is created by a system. Eno is also credited with inventing the phrase “ambient music,” first using the term to describe his 1978 release Ambient 1: Music for Airports . A generative piece sounds different every time it is played. The first indications of generative music date from the composer Johann Philipp Kirnberger in 1757, he wrote a work entitled "Musikalisches Wrfelspiel" based on a series of templates written by him, which he modified according to the result of rolling dice. Generative Music 1 is the name of a floppy disk (composed by Brian Eno in 1996). The work, made up of twelve pieces, was not recorded in an audio format, but in '.skp' format, and therefore, to be able to listen to it you would need the Sseyo Koan player software, a real-time music generation system. As the Sseyo Koan is an algorithmic generative software, each...

FM Synthesis

FM synthesis is short for frequency modulation synthesis . Simply put, FM synthesis uses one signal called, the “modulator” to modulate the pitch of another signal, the “carrier”, that’s in the same or a similar audio range. This creates brand new frequency information in the resulting sound, changing the timbre without the use of filters. FM synthesis can create both harmonic and inharmonic sounds. To synthesize harmonic sounds, the modulating signal must have a harmonic relationship to the original carrier signal. As the amount of frequency modulation increases, the sound grows progressively complex. It was discovered in the 1967 experiments of John Chowning at Stanford University. At first, Chowning was using complex waveforms to modulate the pitch of simple sine waves. This resulted in supersonic signals at frequencies over a million Hertz. [FISEA 1988] Workshop: John Chowning, Zack Settel & Ernst Bonis – FM-Synthesis/Psycho-acoustics. Yamaha...

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