Skip to main content

China's Digital Detox

In China, there are rehab boot-camps for internet addiction. They treat it just like alcohol or drug dependency, it’s considered a clinical disorder that can, and should, be cured, even against the patient’s’ will. Teenagers are the most common sufferers of the affliction. When their enthusiasm for virtual reality starts to have a negative effect on their studies, family lives and socialisation, the parents conduct an intervention. A ruse is devised to lure the addicts to a camp, invariably against their will. There they remain confined until their internet obsession is under control.

RT Doc visited a camp to see how internet addicts are re-introduced to the real world. We spoke to the patients to hear their side of the story, as well as their parents.  Because of China’s history of ‘one child’ policy, they’re willing to pay a hefty price to have their only offspring treated, they’re also required to attend classes themselves to relearn how to communicate with their escapist young.
An obsession with online gaming or net surfing though is just the tip of the iceberg. The problem is said to be rooted in an array of issues with self-esteem, school and family life. That is why a complex approach is needed to curing internet addiction, addressing its underlying causes. This film provides behind-the-scenes glimpse of an internet addiction rehab camp, offering an inside view of how the condition can be treated.

Comments

Popular posts from this blog

The Theatre Of Cruelty & Of The Absurd

The Theatre of Cruelty (French: Théâtre de la Cruauté, also French: Théâtre cruel) is a form of theatre generally associated with Antonin Artaud . Artaud, who was briefly a member of the surrealist movement, outlined his theories in The Theatre and its Double. The Theatre of Cruelty can be seen as a break from traditional Western theatre and a means by which artists assault the senses of the audience. Encyclopædia Britannica describes the Theatre of Cruelty as "a primitive ceremonial experience intended to liberate the human subconscious and reveal man to himself". It goes on to say that Manifeste du théâtre de la cruauté ( 1932; Manifesto of the Theatre of Cruelty ) and Le Théâtre et son double (1938; The Theatre and Its Double) both called for "communion between actor and audience in a magic exorcism; gestures, sounds, unusual scenery, and lighting combine to form a language, superior to words, that can be used to subvert thought and logic and to shock the specta

FM Synthesis

FM synthesis is short for frequency modulation synthesis . Simply put, FM synthesis uses one signal called, the “modulator” to modulate the pitch of another signal, the “carrier”, that’s in the same or a similar audio range. This creates brand new frequency information in the resulting sound, changing the timbre without the use of filters. FM synthesis can create both harmonic and inharmonic sounds. To synthesize harmonic sounds, the modulating signal must have a harmonic relationship to the original carrier signal. As the amount of frequency modulation increases, the sound grows progressively complex. It was discovered in the 1967 experiments of John Chowning at Stanford University. At first, Chowning was using complex waveforms to modulate the pitch of simple sine waves. This resulted in supersonic signals at frequencies over a million Hertz. [FISEA 1988] Workshop: John Chowning, Zack Settel & Ernst Bonis – FM-Synthesis/Psycho-acoustics. Yamaha

DAF - Gabi Delgado-López

Gabi Delgado-López , vocalist and co-founder of DAF (Deutsch Amerikanische Freundschaft) has died at age 61. His bandmate Robert Görl shared the news on Instagram late last night, writing “Got word today my long time friend and bandmate Gabi Delgado passed away last night.” Fomed in 1978, DAF were a pivotal act in EBM and electronic music. Their 1980 album Die Kleinen Und Die Bösen was the first LP released on Mute Records and Delgado-López was an active figure in Berlin’s early nightlife scene. Formed in Düsseldorf featuring Gabriel "Gabi" Delgado-López (vocals), Robert Görl (drums, percussion, electronic instruments), Kurt "Pyrolator" Dahlke (electronic instruments), Michael Kemner (bass-guitar) and Wolfgang Spelmans (guitar). Kurt Dahlke was replaced by Chrislo Haas (electronic instruments, bass guitar, saxophone) in 1979. Since 1981, the band has consisted of Delgado-López and Görl. Görl came to Düsseldorf in August 1978 and met Delgado as bot